Federal Government

GDP can be increased only by the money values (price increases). This will be provided also influenced by the quantity and quality as far as these affect the prices, so payment of money! Even if values (nature and culture) against payment of money will be destroyed, this promotes the gross domestic product (GDP). Cyberneticist think so with its mechanistic worldview! Similarly, if produced goods (food, etc.) can find no buyers, yet increase the GDP and provide our theoretical economic growth, because it is transmitted by the manufactured, not to products sold. In a previous article I pointed out, which is also a car accident is positively incorporated in GDP (the cameralistic system is applied only in the public sector and is the dominant accounting procedures.), although nothing new produced, but only real values are destroyed. A war is therefore useful for the GDP although real wealth is being destroyed. How important are so in the statistics in euro () measured figures of the gross domestic product (GDP)? And what does the size of ‘economic growth’, derived from the GDP thus? Is it socially useful to evaluate, regardless of whether the company wants to have these goods at all or they can afford the pure quantity of produced goods and services? Regardless of whether economic assets destroyed, substitute newly created or recreated basically is. Visit Martha McClintock for more clarity on the issue. All should look at fundamentally critical analyses that basing the GDP according to the modern calculation provision. Statistics sample: We have inflation or deflation? While the International Monetary Fund (IMF) a Deflation danger for Germany looks, the Federal Government to deny it.

More might be conflicting experts simultaneously have right? Deflation: general price reduction. Moreover, consumers actually look forward. The risk of deflation: a deflationary spiral is evolved from constantly falling prices, lower sales and higher unemployment. Inflation: Specifies how the price level develops. The rate of inflation above zero, which may indicate rising prices (inflation), it is below zero, this is caused by falling prices (deflation).

Florian Froehlich

The female body is becoming the focus of Scheuchers considerations such as in the picture body loss, she tells stories about vulnerability, chasms, identities with their imagery, and it examines the intimacy (image:) Mary comforter ) of individuals in natural tones with experimental mixed media acrylic. Her Studio is located in the middle of the precious nature of Austria and therefore mixes the sounds of nature in the natural environment, to give their ideas on the canvas of life. The authenticity of this artist should be so persistent and she very successfully completes the Gallery program of the eighty Gallery for contemporary art. Karin Scheucher was in 1990 graduate of the subject audiovisual media at the Graz School of local wine and a later student by Richard Frankenberger. Florian Froehlich parsed as a professional artist in his Swiss Atelier, the staging of human existence as social structures, amorphous mass in a continuous motion. The mass man, as tumbling, flowing amount of tension between individual and group, loss of individuality, self-determination and group dynamics.

Authenticity can be found also at Fatai factory presentation and this should be considered very successful, because the works battlefield, theatre scenes act I “and” exodus “offer a scenic and theatrical impression the viewer’s gaze. This painter and sculptor had mastered the inclusion in the programme of the gallery as an artist already in 2009 with flying colors. So, inevitably, the juxtaposition of these two contemporary positions led to a glittering exhibition curated in the eighty-Gallery for contemporary art. The opening to this double exhibition formulated beauty in painting on April 20, 2012 at 19:00 in the premises of the Berlin eighty Gallery for contemporary art in the fountain Street 150 10115 Berlin takes place. The exhibition itself is open for art lovers from April 21, 2012 to May 12, 2012.

Outlook 2012: An integral part of the Gallery’s programme should be the location of Katalin Jakob, because she issued again for the opening on May 18, 2012 at 7: 00 in the eighty-Gallery for contemporary art. She wrote her biography (ISBN No. 978-3-8442-1408-6) book titled: “long-suffering Rebellin: my life between adaptation, outbreak and new beginning (Verlag epubli GmbH, Berlin). Artists of new Leipzig school Alex Bar or positions of the Leipzig school how Ralf Bergner will be presented successfully in eighty Gallery to the opening to June 15, 2012 at 7: 00. View 2013: the art may be eagerly awaiting the solo exhibition with Florian Froehlich in December 2013 under the title: World Theatre – Theatre world. A whole panorama is then spread to cheerful, offering many new surprises such as, for example, the following groups of prepared works: crowded crowds, walking on the clouds, theatre crowd scenes, battlefield, human clouds, Moonwalk, random, revolutions, sculptures, alone with the sky and accumulations. Always an art competition with 8,000 is awarded annual prize money and three Gallery contracts for the best three artists of the art award publicly from the eighty Gallery art award and art competition 2012-2013: Innovative artists are welcome here? The inclusion in a gallery program to create artist can about art contests online at: (20.04.12-31.01.13) and an application by mail at the Berlin Gallery are possible. Text eighty by the gallery owner and Executive Director Diana